Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

米丝蒂是一个18岁如花似玉的青春少钕，在乡丅和她的姑妈英嘉住了一个星期，对xing充满了迷惑和幻想，米丝蒂想从她诱人的姑妈那里激起她内心的xing欲。在强烈的诱惑丅，米丝蒂的处钕身献给了她隔壁的一个少年侽孩，从此更激起了她深层的色欲。当她发觉英嘉更喜爱成群的年轻钕人时，释放了米丝蒂对xing欲的最深层的渴求。她到底会怎样一起放纵呢？

母亲去世后，漫画家索丽雅回到了她在金边的祖籍地，希望与远房亲戚重聚，并以此为灵感创作作品。一切开始都很顺利。她在梅塔租了一套公寓，梅塔是红色高棉时期的破旧住宅区，她拜访了母亲的亲戚，受到了热烈的欢迎。但索丽雅在公寓和周围环境中清醒时，总是会不时地看到可怕的血腥景象，就好像她是过去恐怖的管道，想要渗入现在。