搜索"Will" ，找到 部影视作品
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2029年，韩国载人飞船“探月号”出发前往月球，即将产生第二个成功登月的国家，任务备受全世界瞩目。然而“探月号”不幸遇上太阳黑子爆发所引致的太阳风暴，发生严重意外，宇航员黄善宇（都暻秀 饰）成为“探月号”的唯一幸存者。为了营救流浪月球的黄善宇，隐居小白山天文台的前载人飞船飞行总监金载国（薛景求 饰），加入了救援行动，同时韩国政府亦要求美国太空总署（NASA）的总监尹文英（金喜爱 饰）及月球门户太空站介入协助，但却一直遇上重重阻挠。载人飞船的燃料将近耗尽，氧气亦正在倒数，再加上流星雨撞击与月震，被孤立在38.4万公里以外月球上的宇航员黄善宇，个人的一小步也足以令全球人类紧张屏息，到底营救行动会如何发展？
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一群男女大家彼此都不认识，却莫名其妙在同一时间同一地点共聚于此，原来他们有一个共同点——都曾甩过一个叫尼克（凯缇·萨克霍夫饰）的女孩，她美丽，放纵又疯狂，而此番她的邀约明显来者不善，她正计划对这些旧情人进行残暴复仇。
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那一天深深地刻在了地球上每个人的记忆中：世界发生了变化。首先是菲律宾遭到袭击。几天之内，袭击范围扩大，仿佛凭空出现，袭击了更多的岛屿，在南太平洋站稳了脚跟。然后是美国本土的第一次袭击——洛杉矶——现实变得清晰：我们的世界再次陷入战争，但这次的敌人来自银河系之外。现在，几个月过去了，世界的命运悬而未决，因为袭击敌方领土深处一个关键敌方设施的任务出现了严重失误，第 15 远征队的海军陆战队员分散在新不列颠岛，群龙无首，面临着不可能的困难。太平洋战区讲述的是那些海军陆战队员的故事：新兵从家乡穿越太平洋前往前线。这是约翰·布莱克的故事，他是一位迷人的加州冲浪者，他必须找到成为领导者的力量，特蕾西·格里森，一位物理学家……
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在虫族突袭布宜诺斯艾利斯之后，联邦军队发动反攻，在坦戈约里击溃虫族，并在P行星虏获虫族首领。在此之后，联邦军队乘胜追击，派大军杀向虫族隔离区。残酷的战斗没有止境，机动部队第6战队遭到虫族围攻，苦盼救援部队不得，眼看灭亡在即。关键时刻，第6战队首领夏普德将军（埃德·劳特 Ed Lauter 饰）与几名士兵吸引虫族，命令霍顿（Jason-Shane Scott 饰）、珊蒂余下的战士前往最近的祖鲁角哨站避难。此前，该哨站已经废止，所有人员全部死亡，只有一名中尉幸存。在这个隔绝之地，战士们进行最后的抵抗……本片为《星河舰队》的第一部续集，拍摄完毕后直接发行DVD。
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动物园准备开放，聘请一班实习生到访实习，没想到一种神秘病毒在动物园内开始蔓延爆发，全动物园的动物因而变成噬血活尸，成了真正的尸乐园，现在园区内的幸存者除了得想办法逃出生天外，还必须阻止这群饥肠辘辘的动物活尸走出园区……
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It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....
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威廉·夏特纳和伦纳德·尼莫伊2001年为纪念DeKelley拍的纪录片，整部就是两个人对话，超级有爱，两位爷爷唠家常的纪录片，看到最后谈到两个人关于人生终点的看法，WS和LN一同坐在LN家里的院子里，晴空微风，绿树绿草，两位老人时而大笑时而严肃的交谈，让人感觉甜蜜又感动，这是ST所延伸的又一份美好。是经历了岁月越发耀眼的珍宝。
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.