搜索"Theo" ，找到 部影视作品
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兄弟之血发生在一座腐朽城市的卑鄙街道上，一名最近获释的罪犯开始对他的儿时朋友进行凶残的报复，他相信这些朋友让他为他们共同犯下的罪行而堕落。 随着尸体开始堆积，其中一个朋友，现在是一名警察，将不惜一切代价制止凶残的暴行并纠正...
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《爱宠情缘》是一部探讨世界各地动物与人类之间特殊关系的纪录片。本片以幽默且感人的方式描绘形形色色的人物，包括日常生活中的宠物监护人、热心的动物救援者以及成为宠物父母的孩子，刻画了他们与狗、猫、猪、山羊甚至猛禽形成的独特而宝贵的联系。《爱宠情缘》透过鼓舞人心的故事、资料片段、爆红影片和引人入胜的探访带我们踏上一段充满欢笑与泪水的旅程，歌颂爱、失去与宠物带来的慰藉。
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《女盗三人行》是梅拉尼·罗兰的最新电影，主演阵容包括阿黛尔·艾克萨勒霍布洛斯、梅拉尼·罗兰、玛农·布雷施、菲烈·卡特林、费利克斯·莫阿蒂，以及饰演玛雷纳的伊莎贝尔·阿佳妮。
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米歇尔·阿扎纳维西于斯([艺术家])新片[消失的王子](The Lost Prince，暂译)，由奥玛·希、贝热尼丝·贝乔主演。故事围绕父亲Djibi展开，他告诉7岁女儿索菲亚一个名为“童话世界”的奇幻电影制片厂。他本人扮演白马王子。五年后女儿长大，而Djibi必须要去维持在女儿人生中的英雄形象。本片拍摄周期为7月30至10月5日，将在戛纳电影市场上寻找国际买家。
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Buster Keaton's final silent feature, as well as the final film in which MGM allowed him any creative control.
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在《驴子之子》中，我们认识了刚刚搬出家门、准备独立生活的西奥——直到他不得不面对残酷的成人世界。从交通罚款、父子关系问题到网络诈骗和大量的心理治疗，西奥和他的好朋友约翰尼在经历种种趣事的同时，也逐渐明白了什么才是最重要的：家庭。
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约翰是一个非常普通的年轻人，在爱情和性方面，他总是对各种可能性保持开放的态度。他在哥本哈根唯一的同性恋桑拿浴室阿多尼斯找到了一份接待员的工作。在这里，他不仅工作，还与桑拿浴室的其他客人积累了非常个人的经历和邂逅。对于约翰来说，这座城市就像一个充满机会的无边无际的天堂，有酒吧、派对和一夜情，但只有当他遇到跨性别人士威廉时，他才真正近距离地体验到了爱情。两人的爱情面临严峻的考验，这在生活在一个对性别、爱情和身份有着刻板观念的社会中是很常见的。
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.