一艘太空巡洋舰坠毁在了黑纳斯星球上，这是一个关押着整个银河系中最邪恶危险罪犯的星际监狱。大部分队员都在这场事故中遇难，全队只剩下飞船的驾驶员——星际英雄马克斯·克劳德，倒霉的厨师杰克和极不配合的指挥官雷克西。他们的任务很简单，那就是等待救援人员的到来，同时尽自己最大的努力阻止监狱中的囚犯登船，然而这可是马克斯·克劳德，他总有办法把事情复杂化。

　　本片是瑞典2012年大制作，被称为瑞典版007。由上届奥斯卡最佳外语片《更好的世界》男主角。

　　英国统治印度的后期，舍希德·汗以传奇人物苏丹那王的名义，打劫英国的火车，被驱逐出瓦塞浦。舍希德·汗逃亡到丹巴德，为煤矿主瑞马德哈·辛格工作，却因此结下了家族世仇。十年后，舍希德·汗的花心儿子沙达尔·汗发誓要为父报仇，成为了瓦塞浦的一方霸主。沙达尔·汗一面在丹巴德与杀父仇人煤矿主瑞马德哈·辛格斗智斗勇，一面又在瓦塞浦与之前的霸主苏丹王带领的库雷希族对抗。旧仇未报，新仇又结...　　影片用类似纪录片的方式，在历史的背景下，讲述了三个黑帮集团之间错综复杂的关系。从1940年跨越到2004年，穿插了印度独立、巴印分治、以及印度的宗教派系之间的血腥残杀。瓦塞浦黑帮的所作所为全都印映着历史的痕迹。

　　本剧讲述了30多岁的两位主角，通过一款美食家交友APP认识后，一同踏上了美食之旅。两人一边享受着西班牙干腌火腿、日本拉面和世界各地的美食，一边了解着彼此。对日本香橙的共同喜爱，对美食家装模作样的厌恶，让两人心灵相通，但两人过往感情留下的伤疤所激发的不安感和摇摆不定，可能会阻止他们品尝到真爱的味道。

任何目标都能在六秒内解决，有如传说般存在的天才杀手「寓言」（冈田准一 饰），是个让黑社会闻风丧胆的狠角色。因应「老板」（佐藤浩市 饰）命令，他与搭档（木村文乃 饰）乔装兄妹档，并化名「佐藤明」过着普通人生活，更不得在大坂居住的这一年内杀害任何人…。某天，他偶然遇见神祕的轮椅少女（平手友梨奈 饰），以及看似关爱孩子未来的非营利组织创办人宇津帆（堤真一 饰）。种种不寻常的一切，让寓言回想起四年前的暗杀任务。面对风雨欲来的重重危机，寓言能否继续遵守不杀人的命令，守护自己与身边的亲友呢？

冰河卫（江口德子 饰）是衔着金汤匙出生的千金大小姐，从小就过着富足的生活，长大之后，她更是将全部的心思都投入到了工作和赚钱上。冰河的努力令她获得了社会的肯定，某一年，她甚至得到了白金年度女性奖。可是，再多的荣誉也无法填补冰河内心的黑洞。父母早逝的阴影从小到大一直伴随着她，令她封闭起内心，不愿意流露任何的感情。虽然冰河事业无比的成功，但是在生活里，她却没有一个能够交心的朋友。春野优（赤楚卫二 饰）的境遇和冰河恰恰相反，他出生于贫困的家庭中，虽然生活拮据，但他却是在父母和兄妹的爱之中成长起来的，因此，春野总是能够扮演那个给予别人关怀的角色。这样的春野，在机缘巧合之下来到了冰河所经营的公司里做实习生。

　　This powerful western starring Peter Facinelli (Twilight franchise) shows what happens when you push a good man too far. Britt MacMasters, a U.S. Marshal, returns from a mission to find his father (Tom Skerritt) wounded and his son, Chad, kidnapped by the outlaw Jed Blake. Hot on their trail, Britt forms a posse with a gunslinging deputy and a stoic Pawnee tracker. But both Jed and Britt tread dangerously close to the Red Desert’s Sioux territory, which poses a menace far greater than either can imagine.

　　Russian operatives hijack a commercial American jet, planning to crash it into a nuclear power plant near Washington, D.C. resulting in fallout that will devastate the Eastern seaboard. With little time for Air Force fighters to shoot it down, the passengers and crew aboard the aircraft must rely on their own military and civilian training to stop the terrorists before it's too late.

　　从令人费解的街头花招到精心策划的巧妙戏法，贾斯汀·威尔曼将善意的魔术与成年人的欢笑融合在了一起。

　　Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!