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埃尔维拉为了与她那美丽得令人发狂的继姐竞争，不惜一切代价。在这个童话王国里，美貌是一桩残酷的生意，她用鲜血、汗水和泪水努力吸引王子的目光。这是一个对经典《灰姑娘》故事的扭曲演绎。
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Larnell、Luanne带着他们的疯狂搞笑再次回归，由于吸烟引起的怪异副作用，他们前往南美寻求治疗。在深山丛林里，他们遇到了致命的危险……
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6 out of 7 people found the following comment useful. A brilliant and outragously funny satire of society, 7 December 1999 Author: Dave Joerg ([email protected]) "Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original. Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name: "Flodders -Eine Familie zum knutschen" Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
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本片主要讲述了一支受恶魔控制的水管，经常出来吓唬那些本性还算不坏的瘾君子们。作为一部向B级恐怖电影致敬的片子，剧中充满了无厘头式的搞笑。
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劳伦和桑迪都生长在纽约，这两个年轻女演员的出身和性格似乎都处于不可调和的两个极端：优雅迷人的劳伦一心盼望着能扮演哈姆雷特，而粗俗矮胖的桑迪则对哈姆雷特一无所知。她们在同一个班学习表演时都倾心于英俊的教师迈克尔·桑切斯。但有一天，桑切斯却突然失踪了。劳伦和桑迪这对冤家一起去找他，但在寻找的过程中两人都发现了对方身上的优点，遂结为了好友。她们看见桑切斯进了一家花店，随后花店发生了爆炸。警察说桑切斯被炸死了，但她们又看到了桑切斯，还跟踪他到了湖边的小屋里。中央情报局的特工告诉了她们一个惊人的消息：原来桑切斯是苏联的克格勃，他逼迫美国政府用重金赎回他偷走的装有化学毒品的瓶子。桑切斯在她们准备帮助政府将瓶子偷回时将劳伦拐走，劳伦趁其不备时逃了出来，在追逐的过程中，桑切斯失足摔死。风波过去后，劳伦和桑迪回到了纽约。劳伦的心愿终于得到了满足，她扮演了梦寐以求的哈姆雷特，而桑迪扮演的则是哈姆雷特的情人奥菲莉娅。
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Mr. North, a stranger to a small, but wealthy, Rhode Island town, quickly has rumors started about him that he has the power to heal people's ailments. The rumors are magnified by his tendency to collect negative charges and give shocks to anyone he touches. In his adventures he befriends an old man who is a shut-in and helps him rediscover the world.
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哈瓦那（帕特丽夏·阿奎特 Patricia Arquette 饰）和彼得（泰特·多诺万 Tate Donovan 饰） 是一对感情非常要好的恋人，两人在抢劫了一间游乐场后逃回了故乡。他们的故乡是一个民风非常古老而又保守的地方，在那里，法律不值一提，居民们生活信奉的唯一准则就是圣经。 在那里，哈瓦那和彼得终于实现了他们的心愿携手步入了婚礼的殿堂，可是婚后没多久，一场可怕的车祸便夺走了彼得的弟弟。根据圣经记载，哈瓦那将再度嫁给彼得年仅十二岁的弟弟西科（约瑟夫·高登-莱维特 Joseph Gordon-Levitt 饰）。哈瓦那决定将曾经抢劫而来的那些赃物物归原主，可是贪婪而又暴力的警探却并不愿意归还她平静的生活。
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两个年轻人无意中发现公司帐目有人搞鬼，老板为了奖励他们特别邀请他们一起到海边别墅共度周末.两人满心欢喜的到达别墅之後，发现老板被人杀害了，为了不被人冤枉他们开始隐瞒事情的真相，将老板的尸体带上墨镜及帽子，假扮成像是在渡假的人...两人靠着老板的尸体，进出社交名流的场合，竟然都没有人发现到老板已经死掉了。全片的笑料都围绕在「死」老板身上，也藉由剧情中的笑料可以看到上流社会人情的虚伪空洞...
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如果说《想当年》是费里尼对少年时代的回忆，《八部半》是对他中年创作危机的记载，《罗马》是对他所爱的城市的礼赞，那么本片就是他对Cinecitta电影厂的颂歌。影片将回忆、嘲讽、自省、幻想等元素融合在一起，让我们见识了镜头前后的各种人物。影片高潮是《甜蜜的生活》的重映把片中主角重新聚集一堂，颇有一点大师主掌央视《同一首歌》的味道。
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故事分成三個章節：主要的章節由高達親自飾演導演，正要趕乘飛機，在24小時內把一部電影的菲林交給監製；同時一隊二人流行電子音樂組合，不斷排練歌曲，最後在路上表演；另一邊廂，愚笨的大肥佬捲入一宗事件，被神秘女人密切監視，最後更被拘捕。三段故事看似毫無關連，實際是高達以電影來討論電影製作和藝術創作的重要。片名看似帶有弦外之音，就像高達暗示，假如監製或其他人要干擾導演的藝術創作，就索性我行我素，忠於自己的道路好了。這大概亦示範了高達如何純熟地運用電影媒體來做評論。 A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.