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故事发生在罗马尼亚大革命的前夜。为了筹集资金购买武器，完成革命的最后准备工作，“革命者联盟”指示在布加勒斯特从事地下工作的巴伦西取出由施特劳保管了多年的一批财宝，把它交给一个代号叫“黄玫瑰”的同志。巴伦西接到指示后，同助手一起，几经周折，找到了施特劳的儿子，取出了财宝。在转送途中，他们碰见了女演员阿卡塔等二人，彼此结伴而行。但行不多久，他们遭到了政府军的袭击，巴伦西等人英勇牺牲，财宝落到了阿卡塔手里。原来她是反对派派来的间谍。“革命者联盟”得知这一情况后，马上派出自己的同志设法处死了阿卡塔，将那批财宝安然送到了目的地。
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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故事发生在一间位于多伦多市中心的便利店内，经营店铺的是金氏夫妇，他们在80年代移民来到了多伦多，依靠着不懈的努力在这里站稳了脚跟，生儿育女传宗接代。金家的儿子脾气非常火爆，在16岁那一年，儿子阿君和父亲之间爆发了一场剧烈的争吵，最终两人谈崩了，儿子选择了离家出走，再也不和父亲有任何的交际，但是他和母亲以及妹妹之间的关系却还算良好。 妹妹珍妮特目前是一名大学生，正在一家艺术大学里学习摄影课程，希望以后能够成为一名摄影师。妈妈和妹妹都希望阿君和父亲能够重修旧好，但这显然是一条充满了荆棘的漫长道路。
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An intricately constructed, lyrical and heartbreaking film about two young men wrestling with their sexuality in the repressive English society of the 1920s. Told in elegant flashback, an institutionalised novelist recounts the story of his love affair with a friend, convinced their shared sexuality could be ‘cured’. Visually striking, beautifully acted and defined by a haunting mix of romanticism and unflinching horror, this bold film bravely examines a shamefully neglected period in queer history.
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在一个偏远的北方村庄里，小女孩尤里（海伦娜·泽格尔 Helena Zengel 饰）从小就养成了天黑后绝不外出的习惯，并惧怕被称为“奥奇”的隐居森林生物。当一只小“奥奇”被它的族群遗弃时，尤里开启冒险之旅，让它与族群团聚。
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生活在南非的土著族黑人少年祖鲁（John Matshikiza 饰）与白人少年雷诺（Leon Schuster 饰）曾是无间的好友，然而，一名来自美国的白人女孩罗怡娜（Terri Treas 饰）的到来彻底改变了祖鲁的生活。罗怡娜对黑人持歧视态度，经常欺凌祖鲁，让他心爱的女友也离开了他前往美国。25年后，祖鲁因盗窃罪被捕入狱，被押送回南非继续服刑。在途中，他偶然抢走了南非反政府右翼分子头目代尔哈德（Wilson Dunster 饰）的汽车和一张价值50万元的兑奖券，与多年未见的好友雷诺巧遇。他们一起前往萨恩城，意外获得了50万元的巨额奖金。 与雷诺离婚后，罗怡娜已与代尔哈德同居。得知祖鲁和雷诺获得了巨额奖金后，代尔哈德恼羞成怒，决定追捕并处死他们，为了夺回这笔钱财。他们展开了一场生死较量，在逃亡的途中，祖鲁和雷诺不得不面对种种困难和危险，与时间赛跑，力图保住他们的生命和所得奖金。
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每个人都有自己的“奇美拉”，这是他们试图实现但却无法找到的东西。对于盗墓团伙来说，奇美拉意味着从工作和轻松致富的梦想中得到救赎。对亚瑟（乔什·奥康纳 Josh O'Connor 饰）来说，奇美拉就像他失去的那个女人，贝尼亚米娜。为了找到她，亚瑟挑战无形，到处寻找，进入地 球内部——寻找神话中所说的通往来世的大门。在活人与死人之间、森林与城市之间、庆典与孤独之间的冒险旅程中，这些人物的命运交织在一起，都是为了寻找奇美拉。