Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

艾索（艾迪•墨菲 Eddie Murphy 饰）是底特律黑白两道的大名人，身为警探，却也不时干些偷鸡摸狗的勾当，而且他侦办案件时经常不按程序办事，上司对他十分头痛。这天，艾索因为敲诈烟贩而差点被开除出去，幸亏好运气才免遭于难。艾索偶遇了一位刚出狱的好友，这人带着巨额的德国债券来到了底特律。两人重逢后不久，艾索的这位朋友就被谋杀了。深谙此事不简单，艾索开始了调查。他独自一人追踪嫌疑人维克多来到了好莱坞的比佛利山，正当他准备上前盘问时，却被当地警察带回了警局。当艾索调查得悉维多克的确在贩毒时，当地的警长同意介入调查，却将艾索打发回老家。艾索只好劝说当地的一名警员比利（祖德•莱茵霍尔德 Judge Reinhold 饰）和他合作，两人开始了私自调查。

　　导演两年前用纪录片《再见，白楼》（《金边白楼的前世今生》）向自己的童年故居致敬。今次有贾樟柯的公司参与制作，他则以剧情片来细说这栋大楼的居民在逼迁前的故事。主角和两位好友每天都在白楼内练舞，希望终有一天可以上电视台参加比赛。眼见白楼面临清拆，他的父亲想尽办法组织居民，向 政府争取更合理的赔偿方案。此时死党亦将离开柬埔寨，他发现从前安稳的家园未必能跟上时代的变化。

　　乔治是一个普通的应用程序开发人员，他突然意识到自己正在重复六个月的生命。很快，他被一个神秘的组织招募，该组织不时逆转时间以防止世界末日，只有几个特殊的人（包括他）能够这样做。一旦他加入团队，就会将他带入了一个充满世界末日威 胁和超级恶棍的高危世界。该团队将共同努力阻止一些恐怖分子引爆核武器、遏制流行传染病、战争核毁灭等，利用他们的智慧和各类技能拯救世界。

　　Robert Thorogood adapts his own novels alongside Lucia Haynes (“Vera”) and Julia Gilbert (“Midsomer Murders”), each of whom will write a two-episode murder mystery. Thorogood’s episodes will be an adaptation of his second novel, “Death Comes to Marlow” while Haynes and Gilbert are set to pen brand new stories.

　　Jamie Sives及Mark Bonnar将主演BBC 4集剧《过失 Guilt》（正确说法是，这剧是BBC Scotland线上频道的首部剧集，然后会在BBC Two播出），Neil Forsyth执笔的此剧讲述两个性格不同的苏格兰人兄弟Max及Jake（Jamie Sives及Mark Bonnar饰），某夜他们从婚礼现场驾车回家时，不小心在漆黑的街道上撞死了个老人，惊慌失措的他们决定掩饰自己的过失。然而死者的邻居和亲属皆怀疑老人的死另有内情，这使得Max及Jake的生活开始土崩瓦解，而且内疚感﹑秘密使他两无法再信任任何人。

　　《天堂岛疑案》主创Robert Thorogood为PBS Masterpiece和UKTV，执笔的全女班侦探类电视剧《玛洛谋杀俱乐部》（The Marlow Murder Club）日前公开剧照，并确认剧集会在明年开播。　　本书原著出版于2021年，故事围绕着Samantha饰演的主角——一位退休的考古学家“Judith”（《唐顿庄园》“Lady Rosamund” Samantha Bond饰演）展开；她独自住在宁静的Marlow镇一栋有些年份的豪宅里，通过为当地报纸做填字游戏来打发时间。有一天，当“Judith”例行在泰晤士河野外游泳，她听到邻居花园里传来枪声，并且确信发生了一起残酷的谋杀案。　　当警察不愿相信她的故事时，Judith发现自己与当地的遛狗人/空巢老人“Suzie”（《神秘博士》“Ruth” Jo Martin饰演）以及不得志的牧师妻子“Becks” （、《睡魔》“Zelda” Cara Horgan）建立了不太可能的友谊，于是三人开始了自己的调查。最终，众人被要求协助参与一场由刚刚履职的 “Tanika”（《真相捕捉》“Aliza” Natalie Dew饰演）所领导的警方调查。Judith和她的朋友们必须拼凑线索，盘问嫌疑人（证人），并面对真正的危险，同时她们争分夺秒地追踪与阻止凶手。

故事探索了两个女人之间出人意料又充满不快的关系，在从伊斯坦布尔到巴黎和伦敦的路上，她们进行着一场关于真相与谎言的致命游戏。一个女人拥有一个秘密，另一个女人的使命就是在数千人丧命前揭晓这个秘密。

　　二战期间，一群德国士兵被困在一个由妇孺老幼组成的德俄村庄。最开始两队人马战战兢兢维持着和平共处的幻象，而当死亡的扳机扣响，彼此间脆弱的信任瞬间被撕裂，杀戮如同多米诺骨牌一般一路往下，妇孺老幼们开始拿起武器反抗暴行。

　　《坎特维尔的幽灵》根据同名热销小说改编，由BBC制作的奇幻惊悚喜剧，讲述一个美国亿万富翁海勒姆·奥蒂斯（Hiram Otis）购买了位于英国历史悠久的古典豪宅后，居住在这里的幽灵西蒙·德·坎特维尔爵士（Sir Simon de Canterville）一点也不高兴。海勒姆不知道西蒙已经在这里闹鬼五个世纪了，也不知道他的家人即将面对当地贵族的敌意。这个经典的现代故事围绕三个家族展开：贵族坎特维尔家族、罗曼尼·洛弗尔斯家族和美国奥蒂斯家族。