杰瑞·弗莱彻（梅尔·吉布森 Mel Gibson 饰）是纽约一名普通的出租车司机，他孑然一身，无所事事。大概是过于无聊，杰瑞的脑中经常幻想关于政府的各种阴谋论，并将它们告诉给每一个乘客。似乎有些弄假成真，他日常生活中也谨小慎微，紧张兮兮。杰瑞迷上了美丽的律师艾丽丝·萨顿（朱丽娅·罗伯茨 Julia Roberts 饰），并经常带着他的那些阴谋论新闻找艾丽丝交流。近一段时间，纽约经常出现水管爆裂的情况，目击到FBI曾在现场出现，杰瑞断定这背后定有什么阴谋。这次他没有猜错，很快一群神秘人物就盯上了这个口无遮拦的男人……

　　Chris是一名利物浦应急响应警员，负责夜间巡逻。他是一个危机重重、道德感模糊，且不走寻常路的人。　　Chris在自己的个人生活和工作中都尽力避免麻烦，但现在被迫和新来的菜鸟Rachel做搭档。两人很快发现，在这个高压又无情的夜间世界中，他们的生存将取决于是帮助彼此，还是毁掉彼此。

　　绰号“哭泣宝贝”的维德•沃克（Johnny Depp 约翰尼•德普 饰）流下的眼泪具有慰籍心灵的功效，这个一文不名的年轻人每天和好友们过着虽不富裕却欢乐常在的生活。不过在那些好好少年看来，维德他们不过是一群打架斗殴、惹是生非的阿飞。　　某天，维德结识了乖乖女艾丽逊（Amy Locane 艾米•洛肯 饰），两人共坠爱河，这令倾慕艾丽逊的那群“品学兼优”的好学生们的嫉妒和憎恨。他们结伴向维德一派发起攻击，两个相爱之人就这样一次次被迫卷入纷争之中。他们的爱情能否经受这些磨难的考验？

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　Successful businessman Thomas (about 55), who has chosen to live in Rome, has dedicated his whole life to his work. When his kind and understanding wife Elisa dies, however, his life takes a turn for the worse. His daughter Beatrice, who has broken off her studies and is now living in a mission in India, is more eager than ever to stay there now that her mother has died. Thomas, who always pictured a sensible life for his daughter, decides to go there himself and fetch her back. The chaotic conditions in India and the misery in the streets is all too much for him, yakubd.cc however, as are the charitable nuns who receive him at the mission. When Beatrice realizes why he has come, father and daughter have a fierce argument. Sister Beth, who supports Beatrice's decision, is a thorn in Thomas's side. Defeated, he leaves the fray # only to find he's missed his flight home. He has to wait a few days more for the next one, and during this time he changes his plans. Dressed in Indian clothing, he ...

　　奈德•拉辛（威廉姆•赫特 William Hurt 饰）是一位油滑无能又好色的佛罗里达律师。在一场音乐会上，奈德邂逅了已婚名媛麦蒂•沃克（凯瑟琳•特纳 Kathleen Turner 饰）。二人的婚外恋情使奈德日益疯狂，他终于决定铲除麦蒂的丈夫，大亨埃德蒙•沃克（理查德•克莱纳 Richard Crenna 饰），帮麦蒂继承财产后远走高飞。命案发生后，奈德的好友，公诉律师皮特（泰德•丹森 Ted Danson 饰）和警探奥斯卡（J•A•普莱斯顿 J.A. Preston 饰）都反对奈德与麦蒂继续交往，同时不得不对埃德蒙•沃克之死展开调查。事态的发展越来越超出奈德的预料，他究竟能否信任麦蒂？　　本片获金球奖年度最佳新星提名（凯瑟琳•特纳）和英国电影电视协会奖最佳新星提名（凯瑟琳•特纳）。

　　本剧讲述了一支急救员队伍穿梭于伦敦南部，救死扶伤的故事。Samson Kayo饰演故作强大的独行侠Maleek，Jane Horrocks饰演过分友好的离异女同事Wendy。两人一开始似乎并不适合做队友，都在努力争取同事们对自己的尊重，但不久之后，他们就建立了意料之外的友谊，这让他们能在高压应急服务工作环境中，保持平稳的心态。

　　因为一次跳伞事故，白人富翁菲利普Philippe（弗朗索瓦·克鲁塞 François Cluzet 饰）瘫痪在床，欲招聘一名全职陪护。由于薪酬高，应聘者云集，个个舌灿莲花，却无法打动他的心。直到黑人德希斯Driss（奥玛·赛 Omar Sy 饰）的出现才让他作出决定。德希斯刚从监狱出来，背负家庭重担，一心只想寻张辞退信以申领救济金，而且他明显对女助理的兴趣要远大于这份工作。但是菲利普还是一眼相中了这个小伙子。于是，德希斯开始了一个月的试用期。虽然舒适的豪宅环境让他倍感虚荣，但是他仍面临很多挑战：不仅要为菲利普作身体复健，还得给他洗浴、灌肠、拆信、穿丝袜等。起初，两人的思维方式与价值观大相径庭，但是，随着了解的不断深入，他们成为了朋友……　　本片取材于真实事件，获2011年东京电影节最佳影片金麒麟奖，弗朗索瓦·克鲁塞与奥玛·赛分享影帝桂冠。

　　第二季故事发生在邓迪。第一季主创回归继续操刀剧本，卡司和制作团队待宣布。第二季2021年回归。

　　马克·韦伯自编自导自演，以真实的生活事件作为基础，以写实的超现实风格来进行拍摄。作为创作者和演员，演出了一部模糊了现实纪录片与虚构故事的电影。本片讲述了马克的故事，马克是一个刚刚出狱的帮派分子，无处可去的他只能选择回到位于费城的母亲家中。家里除了母亲之外，还有一个患有阿斯伯格综合症的十几岁弟弟，这种自闭症让人变得沉浸于自己的世界，难于外界交流。马克试图重建自己的生活，要与过去的种种斗争，也让他和激进主义的母亲关系紧张，更让他无法与弟弟进行更好的沟通。而抛妻弃子的父亲，却总在内心深处影响着他，使他往一个自己并不想去的方向前进着。一个失控的家庭又要出现了，每一次争吵，都让家庭的破碎变得不可挽回，马克究竟应该怎么做？