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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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一个努力维持家庭生活的男人发现了一个隐藏的客厅,并找到了解决方案……性爱机器人。
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故事发生在1870年的英国,传闻中海怪的出没的消息惹得人心惶惶,各国政府都排遣除了军舰在大海上巡逻,哪知道这些军舰均被海怪给击沉了。阿龙纳斯教授(Dan Hanlon 饰)和他的助手康赛尔成为了海难中的幸存者,同时保住了小命的还有鱼叉手尼德(Curtis Benton 饰),一行人被鹦鹉螺号潜艇救起,他们也就此认识了潜艇的主人尼莫船长。 尼莫船长久仰阿龙纳斯的大名,把他当做上宾接待。但是船长暴躁的个性和激进的手段让阿龙纳斯明白,此地不宜久留。尼莫船长向阿龙纳斯展示了自己多年来苦心钻研的研究成果,亦带他畅游神秘的海底世界,但阿龙纳斯的脑袋里只有一个念头,那就是逃走。
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妳即將入住的飯店.一群暴龍就在等妳 狩獵開始!而你是獵物…為了賺取大筆獎金,她須賭上性命!錫耶納渴望在一次秘密遊戲節目中贏得大筆現金獎勵,但是為了有錢人的餘興節目,恐龍開始追捕她,她可以成為在恐怖之夜中倖存下來的最後一位獲獎者嗎?
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1988 年,心怀侦探梦想的费城警官托马斯·洛克哈特(波伊德·霍布鲁克饰演)开始追踪一名连环杀手,此人每隔 9 年就神秘地出现一次。但是当杀手的罪行开始违背所有的科学解释时,洛克对真相的痴迷可能会毁掉他的事业、家庭,甚至是他的心智。《月影杀痕》是一部混合题材的心理惊悚片,探讨了时间的力量,以及时间的流逝如何使我们相聚又分开。该片由吉姆·米可执导,其他主演包括迈克尔·C·豪尔和克利欧佩特拉·科尔曼。
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住在巴黎近郊的单亲妈妈茱莉,靠着一份高级饭店的房务清洁工作独立抚养两个孩子,她总是在家庭和工作之间疲于奔命,天天通勤往返巴黎市区,早出晚归难以喘息,却仍盼望会有更好的工作机会出现。某天,当她终于接获一个梦寐以求的工作面试时,不料一场全国大罢工突然爆发,交通瞬间瘫痪城市大乱。为了这个难得的翻身机会,茱莉决定不顾一切冒着所有风险,展开一场与时间和命运的疯狂赛跑。 《失速母亲》由近年在欧洲影坛大放异彩的双料影后罗蕾卡拉米主演,在法国影集《找我经纪人》中表现亮眼的她,2021年更分别以《失速母亲》等两部作品荣获威尼斯影展地平线单元最佳女主角奖以及凯萨奖影后。 《失速母亲》全片紧张刺激毫无冷场,同时又反映现代职业女性多重身分的忙碌窘境,细腻深刻扣人心弦、沉浸共感直击人心。
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隐居的富兰克林欺骗了搭档,通过一个约会app遇到了一个神秘女孩,一段致命的痴迷开始了。。。
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一对黑人兄妹相依为命,哥哥却被白人警察误杀,你猜猜她会怎么办?对抗强权为黑人群体发声?并不,妹妹居然造了一架时光机器,回到过去好让自己的哥哥免于枪杀!
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故事背景设置在不远的未来世界,在414区的人型机器人殖民地中,私家侦探大卫·卡迈克尔(皮尔斯饰)受雇于痴迷商业世界的财阀马龙·维特(费米尔饰)去寻找后者叛逆的女儿。卡迈克尔需要与高度智能的机器人(鲁茨饰)通力合作,而在这个过程中,关于414区和“机器人之城”起源的罪行也浮出了水面。