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夏娜充滿活力,卻總被混亂的人際關係與失控的情緒牽引。當祖母遺留下據說能抵禦邪惡之眼的戒指,他試圖抓住這份守護力量。然而,當獄中的暴力伴侶回歸、經濟壓力逼近,童年創傷與家庭裂痕也逐漸浮現。電影透過夏娜與朋友、母親及家人的衝突,刻畫一位堅毅女性如何在愛、傷害與自我修復之間尋找出口。 導演以細膩而直接的觀察手法,捕捉夏娜日常生活中的躁動與矛盾。本片融合自然的表演與風格化的影像,以柔和藍紫色調、貼近人物的攝影,呈現巴黎郊區生活的真實質感。同時帶有青春世代的感官美學,交織幽默、荒誕與掙扎,亦在不流於煽情的情緒流動中,探索創傷、身分、信仰與女性自主,刻畫一幅兼具親密感與力量的當代女性肖像。
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父母分居后,少女玛格唯一的愿望就是让全家重圆,然而,一名神秘女子突然搬入家中,接踵而来的诡异事件让玛格深信,这位准继母其实是名对父兄施下咒语的女巫,为了守护至亲,玛格找上性格古怪的神秘学专家,誓言要揭穿对方的真面目并将其逐出家门,为了拯救家庭,她绝不轻言放弃。
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Wendy (Dakota Fanning, Once Upon a Time in Hollywood, MIFF 2019) is 31 years old and happily in love with Jack (Jake Johnson, Safety Not Guaranteed, MIFF 2012), a divorcee in his 40s. The only snag in their age-gap relationship: she wants to have children, but he doesn’t want more than the two he already has; he’s also leery of getting married again. Hoping to inspire her to outgrow those particular urges, Jack proposes a six-month break in which she might dive into the Anchorage dating pool. What he hasn’t accounted for is the reappearance of Wendy’s handsome ex, a pilot who may prove less flighty than he once was. The Sun Never Sets marks the first full-length feature in nearly a decade by Joe Swanberg (Drinking Buddies, MIFF 2013), an auteur who helped to forge the mumblecore lexicon – and launch the acting career of Greta Gerwig – with such heavily improvised and incredibly frank flicks as Hannah Takes the Stairs and Nights and Weekends. Though suffused with the same bracing candour and wit as those earlier, lo-fi ventures, Swanberg’s latest is captured on handsome 35mm film. “A masterful portrait of humanity’s inability to figure out what we actually want at any given time … one of the mumblecore pioneer’s finest films.” – IndieWire