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奥尔加将一个房间转租给一个男人，他的妻子在附近的一家医院接受治疗，也偷偷把自己九岁的儿子带到了房间。几个人的生活轨迹逐渐交错，奥尔加平衡的日常生活被打破。
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2022年，在维尔纽斯，玛丽亚突然萌生了与丈夫维塔斯离婚的想法，而此时俄罗斯即将入侵乌克兰。面对岌岌可危的婚姻关系，两人在战火纷飞之际，艰难地走上了离婚之路。 编剧兼导演安德留斯·布拉泽维丘斯创作了一部细腻而及时的电影，巧妙地将引人入胜的家庭剧与对在日益饱受战争蹂躏的世界中应对日常生活的复杂体验的深刻见解融合在一起。 正当玛丽亚和维塔斯即将解除婚姻关系之际，他们发现，赖以维系安全舒适生活的诸多价值观正面临崩塌的危险。他们被迫在愤怒与恐惧之间挣扎，因为战争已在他们家门口爆发；他们渴望自己和聪慧的女儿多维尔能够过上正常的生活；同时，他们也必须站在正义的一边。布拉泽维丘斯的剧本在聚焦这对即将分手的夫妇岌岌可危的未来之路的同时，也敏锐地展现了俄罗斯入侵对影片中所有复杂而真实的人物所产生的种种影响。
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Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement.
Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind.
Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.
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多年前被父亲莫名逐出家门的少女明如，在听闻妹妹美玉被邪灵缠身、日渐衰弱的消息后，重返家族传承百年的染坊。她本想修复亲情、照料妹妹，却不料自己的归来仿佛唤醒了沉眠的诅咒，染坊内接连发生诡异的死亡事件。随着调查深入，母亲惨死的真相、祖辈为保家业签下的血腥契约逐一浮出水面，整个家族都被卷入世代血债的复仇漩涡，邪灵的力量在染缸与布匹间不断滋长壮大。