搜索"达" ，找到 部影视作品
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1968年泰国北碧府，黑豹师士兵Yak奉命深入空宽丛林，寻找失踪的情报官，同时追猎传说中能化为人形的不死食人虎妖Ai Khong。精锐小队在密林中接连遭遇猎杀，人与怪物的界限逐渐模糊，他们必须在虎妖的獠牙下死里逃生。
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美国怀俄明州的西部，沉默寡言的农夫恩尼斯（希斯•莱杰饰）和热情开朗的牛仔杰克（杰克•吉伦希尔饰)一道被派到山上牧羊，那里人迹罕至，他们只有与羊群为伴，生活单调无味。一个天寒地冻的夜晚，在酒精与荷尔蒙的作用下，他们做了“不该做的事情”，也就此他们在断背山上度过了人生中最美好的时光。
季节性放牧结束，迫于世俗压力，杰克和恩尼斯不舍地与对方分离并各自结婚生子。恩尼斯迎娶了自幼相识的阿尔玛，并有了两个可爱的女儿；杰克到了德州，在妻子露琳家族的扶植下事业顺利，还有了个儿子。虽然彼此真心相应，他们只能每年定期约会。一边知情的阿尔玛痛苦无比，而他们又无法满足一年只有几天的团聚。这时意外发生……
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故事发生在一个奇幻的杏仁饼城，主角巧达是一位年轻的见习厨师，在梦多大厨的餐厅打工。虽然巧达胸有大志，但是他旺盛的食欲和马大哈的性格总是会惹出一堆麻烦。
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追梦歌手Key（Bonnie Pattraphus 饰）为挣脱事业与生活的困境，与掌控欲极强的金主Chan（Emi Thasorn 饰）签下一纸契约，以“情人”身份换取资源支持。Chan为这段关系立下三条铁律：不准问名字、不准动真情、不准越界，将两人的联结严格框定在利益交易的框架内。
然而朝夕相处中，规则逐渐被暧昧侵蚀——Key在依赖中暗生情愫，Chan也在掌控欲背后流露真心，金钱与爱情的边界愈发模糊。当娱乐圈的生存压力、隐藏的过往秘密与契约中的陷阱相继浮现，这场始于交易的关系迎来致命考验。两人在禁忌边缘反复拉扯，既要对抗外界的审视，也要直面内心的欲望，最终需在利益与真情之间做出抉择。---本剧改编自作者FLOWER OF MEMORY的同名小说
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Wendy (Dakota Fanning, Once Upon a Time in Hollywood, MIFF 2019) is 31 years old and happily in love with Jack (Jake Johnson, Safety Not Guaranteed, MIFF 2012), a divorcee in his 40s. The only snag in their age-gap relationship: she wants to have children, but he doesn’t want more than the two he already has; he’s also leery of getting married again. Hoping to inspire her to outgrow those particular urges, Jack proposes a six-month break in which she might dive into the Anchorage dating pool. What he hasn’t accounted for is the reappearance of Wendy’s handsome ex, a pilot who may prove less flighty than he once was. The Sun Never Sets marks the first full-length feature in nearly a decade by Joe Swanberg (Drinking Buddies, MIFF 2013), an auteur who helped to forge the mumblecore lexicon – and launch the acting career of Greta Gerwig – with such heavily improvised and incredibly frank flicks as Hannah Takes the Stairs and Nights and Weekends. Though suffused with the same bracing candour and wit as those earlier, lo-fi ventures, Swanberg’s latest is captured on handsome 35mm film. “A masterful portrait of humanity’s inability to figure out what we actually want at any given time … one of the mumblecore pioneer’s finest films.” – IndieWire