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作家丽莎·康拉德目睹了她妹妹安娜被杀的惨剧,并因此几乎十年都过着孤立的生活。在电视上看到疑犯后,她想出了一个用自己作诱饵来抓捕凶手的计划。
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本剧讲述的故事发生在一个虚构的加州小镇(Charming)上,面对毒品贩子和大型土地开发商的步步紧逼,一家黑白两道皆有名望的非法摩托车俱乐部奋起反抗--不仅要保护自己,也要保护小镇的安宁。故事的主人公Jax Teller (Charlie Hunnam扮演) 正处在激烈的思想冲突中,一方面他深爱自己手下这帮兄弟,另一方面他也希望俱乐部彻底摆脱“非法”的阴影。
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美国怀俄明州的西部,沉默寡言的农夫恩尼斯(希斯•莱杰饰)和热情开朗的牛仔杰克(杰克•吉伦希尔饰)一道被派到山上牧羊,那里人迹罕至,他们只有与羊群为伴,生活单调无味。一个天寒地冻的夜晚,在酒精与荷尔蒙的作用下,他们做了“不该做的事情”,也就此他们在断背山上度过了人生中最美好的时光。
季节性放牧结束,迫于世俗压力,杰克和恩尼斯不舍地与对方分离并各自结婚生子。恩尼斯迎娶了自幼相识的阿尔玛,并有了两个可爱的女儿;杰克到了德州,在妻子露琳家族的扶植下事业顺利,还有了个儿子。虽然彼此真心相应,他们只能每年定期约会。一边知情的阿尔玛痛苦无比,而他们又无法满足一年只有几天的团聚。这时意外发生……
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玛格丽特·库里/帕特里克·施瓦辛格///加布里埃尔·巴索///亚伦·皮埃尔///凯瑟琳·基纳///詹妮弗·马科斯///劳伦·比查姆// Evetta Muradasilova //本杰明·施诺// Andre D'Cruz //欧内斯特·马什///蒂利亚纳·布克丽瓦// Maëva Demurger / Pedro Portela / Brittany Seals //卡丽莎·A·约翰逊///李·迪菲利波// Fábio Batista / Courtney Hanna / Matthe/
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一个年轻的女子失去了丈夫,此后踏上一段寻求人生前路的旅程。
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作家丽莎·康拉德目睹了她妹妹安娜被杀的惨剧,并因此几乎十年都过着孤立的生活。在电视上看到疑犯后,她想出了一个用自己作诱饵来抓捕凶手的计划。
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Wendy (Dakota Fanning, Once Upon a Time in Hollywood, MIFF 2019) is 31 years old and happily in love with Jack (Jake Johnson, Safety Not Guaranteed, MIFF 2012), a divorcee in his 40s. The only snag in their age-gap relationship: she wants to have children, but he doesn’t want more than the two he already has; he’s also leery of getting married again. Hoping to inspire her to outgrow those particular urges, Jack proposes a six-month break in which she might dive into the Anchorage dating pool. What he hasn’t accounted for is the reappearance of Wendy’s handsome ex, a pilot who may prove less flighty than he once was. The Sun Never Sets marks the first full-length feature in nearly a decade by Joe Swanberg (Drinking Buddies, MIFF 2013), an auteur who helped to forge the mumblecore lexicon – and launch the acting career of Greta Gerwig – with such heavily improvised and incredibly frank flicks as Hannah Takes the Stairs and Nights and Weekends. Though suffused with the same bracing candour and wit as those earlier, lo-fi ventures, Swanberg’s latest is captured on handsome 35mm film. “A masterful portrait of humanity’s inability to figure out what we actually want at any given time … one of the mumblecore pioneer’s finest films.” – IndieWire